Tag Archives: Chinatown

Changing Place Names to Change Historical Memory

Oakland-based graphic designer Kenji Liu has recently embarked on a project that puts him in a long line of artists and polititians who have changed place names in San Francisco. His Decolonized Area Rapid Transit (DART) map is based on the official San Francisco Bay Area Rapid Transit (BART) station map. Liu has substituted the names of counties, bridges, transit stations and natural features that appear on the BART map with the names of local Native people and progressive political activists. In doing so, Liu has provided a vivid demonstration of the potential for using place names to invoke or erase local history. That same potential has also been revealed in battles over re-naming that have occurred repeatedly in San Francisco.

In the Great Earthquake and Fire of 1906, thousands of San Franciscans lost their homes and began a process of re-settling the city in new patterns of density and demographics. Three years after the disaster, a commission of the Board of Supervisors convened to address those population shifts by updating the names of the city’s streets and reducing the confusion of new place names. Many of the changes – such as eliminating the multiple use of the same name for different streets – provoked little or no controversy. However, upon proposing renaming streets of the Richmond and Sunset districts with names drawn from California’s Spanish past, some residents of those neighborhoods protested vociferiously. They denounced the prospect of becoming San Francisco’s “Spanish Town” so soon after the U.S. victory in the Spanish-American war. While some concessions to residents were made by the Board of Supervisors, the use of Spanish names (such as Anza, Balboa, Cabrillo, Arguello, and Ortega) was nevertheless implemented for many of the streets.

Editorial, San Francisco Call, November 24, 1909, page 6.

Other street name changes have been less ambitious than those carried out by the 1909 commission. In 1988, Beat poet Lawrence Ferlinghetti successfully petitioned the San Francisco Board of Supervisors to change the names of twelve streets to commemorate local writers and artists. The new names included Jack Kerouac Alley, Isadora Duncan Alley, Dashiell Hammett Street, and Via Bufano.

Nick Jaina band performing in Jack Kerouac Alley. 2008 photo by Chantel Williams.

While Ferlinghetti’s changes highlighted the city’s artistic past, other San Francisco streets have been re-named to highlight the city’s political past. The Board of Supervisors voted in 1985 to change the name of Brenham Place, on the west side of Portsmouth Square in San Francisco Chinatown, to Walter U. Lum Place, in recognition of the Chinese American journalist, educator and civil rights activist. Another civil rights activist was acknowledged when the block of Polk Street in front of City Hall was renamed Dr. Carlton B. Goodlett Place in 1999 in honor the local African American publisher and physician. Similar changes have met with resistance, however.  When the Board of Supervisors changed the name of Army Street to César Chávez Street in 1995, some white residents of the street organized a citywide ballot proposition to reverse the change. Their efforts were defeated, and the street continues to be named after the famed Mexican American labor organizer.

Intersection of César Chávez Street and Mission Street. 2008 photo by Freya Gefn.

In addition to streets, the names of neighborhoods have also been the subject of proposed changes. In some cases, the proposals are perhaps only partly serious. JohnnyO, writer of the local blog Burrito Justice, has proposed the name La Lengua (Spanish for “the Tongue”) for a portion of the Mission District. In part, his writing about La Lengua helps to highlight the work of the San Francisco Association of Realtors to continually change neighborhood names in the hopes of increasing sales. Reverend Malcolm Byrd of the First A.M.E. Zion Church has addressed this issue in more earnest terms when he has decried realtors’ naming a portion of the Western Addition neighborhood “NOPA,” or “North of the Panhandle,” in an effort to erase the area’s African American history and population and make potential home sales more appealing to white buyers.

The animal rights organization People for the Ethical Treatment of Animals (P.E.T.A.) also proposed a change of name of a San Francisco neighborhood when it lobbied Mayor Ed Lee in 2011 to change “The Tenderloin” to “The Tempeh District.” P.E.T.A. argued that the current name “echoes the violence and cruelty of the meat industry” and was inappropriate in a city with “some of the best vegan cuisine in the world.” The proposal met with some incredulity and was not pursued by either Mayor Lee or Supervisor Jane Kim, whose district includes the Tenderloin. As historian Peter Field notes on his walking tour, the name “Tenderloin” emerged in the nineteenth century out of the neighborhood’s role as a vice district. To change the name to “Tempeh” would risk losing a marker of that history.

Whether proposed name changes have been intended as official city policy (such as the work of the 1909 commission), or conspicuously unofficial (such as Kenji Liu’s DART map), or somewhere in between (such as the work of the San Francisco Association of Realtors), each example highlights the ways in which place names can function to highlight or obscure the site-specific history of San Francisco.

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Chinese/LGBT: Comparing Two Local History Institutions

The Chinese Historical Society of America (CHSA) and the Gay, Lesbian, Bisexual, Transgender Historical Society (GLBT Historical Society) portray the lives and histories of two overlapping San Francisco communities. The two institutions share a number of interesting similarities.

Chinese Historical Society of America. 2004 photo by Smart Destinations.

The CHSA was founded in 1963. Architect Philip Choy curated exhibits as the CHSA grew and migrated from one Chinatown location to another, including Jack Kerouak Alley, Commercial Street, Broadway, and (since 2001) the current location at 965 Clay Street. The present site has over 10,400 square feet of exhibit and public programming space. It features Chinese in America: Toward a More Perfect Union in the main gallery as well as smaller rotating exhibits.

Gay, Lesbian, Bisexual, Transgender History Museum. 2011 photo by Daniel Nicoletta.

The GLBT Historical Society was founded in 1985 and changed locations more than once before establishing its current site at 657 Mission Street in 2003. The Mission Street site featured both archival collections for researchers as well as exhibits until 2010, when the GLBT Historical Society tested a temporary exhibition at the corner of 18th and Castro: Passionate Struggle: Dynamics of San Francisco’s GLBT History. Encouraged by the positive response, the GLBT Historical Society formally opened a more permanent GLBT History Museum at 4127 – 18th Street in 2011. The museum has approximately 1,600 square feet of exhibit and public programming space. This includes Our Vast Queer Past in the main gallery and space for smaller rotating exhibits. The Mission Street site continues to operate as an archives for researchers.

Both institutions began partly as a kind of archival rescue mission in response to dramatic transitions taking place in their respective communities. During the 1960s, many California Chinatowns were disappearing as residents moved out or passed away. The CHSA chartered bus trips to vanishing Chinatowns in Weaverville, San Luis Obispo, Hooverville, and elsewhere, gathering donations in the form of documents and artifacts ranging from boats to baskets to business signs. One donation included an entire temple altar from Napa. During the 1980s, the AIDS epidemic ravaged San Francisco’s gay male population. Thousands of local men died estranged from their families and without heirs, and the possessions that documented their lives risked being lost.  The GLBT Historical Society was founded in part to salvage those materials.

The relationship between each institution and academia has been complex. Both institutions’ founders and supporters have included pioneers who established some of the earliest academic programs and scholarship about their respective communities. CHSA board members Him Mark Lai and Philip Choy were not academically trained as historians, but they developed the first Chinese American history courses at San Francisco State University and University of California, Berkeley. Early GLBT Historical Society supporters Alan Berube and Eric Garber were also not academically-trained historians, but their scholarship was instrumental in establishing a place for lesbian, gay, bisexual and transgender history in academia. Today, both institutions continue to be supported both by independent scholars (such as Charlie Chin at the CHSA and Gerard Koskovich at the GLBT Historical Society) as well as academics who work within the now-established fields of Asian American Studies and Gay and Lesbian Studies. At various times each institution has partnered with other organizations for the purpose of managing selected collections. Whereas the CHSA has sought this support from within academia (working with the Ethnic Studies Library at the University of California, Berkeley), the GLBT Historical Society looked outside academia by partnering with the Hormel Center at the San Francisco Public Library. At one point in its history, the CHSA was affiliated with the Asian American Studies Department at San Francisco State University. Presently, however, neither institution is formally affiliated with a university. This has sometimes presented challenges. For example, the CHSA’s annual publication, History and Perspectives, is not a peer-reviewed academic journal along the lines of Johns Hopkins University’s Journal of Asian American Studies. Consequently, it can be more difficult for the editors to solicit contributions from academics.

Chinese American lesbian artist Lenore Chinn has contributed to the programming of both institutions. Photo by Erik Butler.

The significance of each institution’s location (CHSA in Chinatown, GLBT History Museum in the Castro) is worth considering. Prior to 1965, San Francisco Chinatown residents were predominantly Cantonese-speaking immigrants from the Pearl River Delta and their descendants. The Immigration and Nationality Act of 1965 had a major impact on the demographics of San Francisco Chinatown, bringing in both Chinese professionals and refugees from many other parts of Asia.  CHSA exhibits and programs have focused primarily on the history of the Pearl River Delta immigrants and their descendants, but the newer residents of Chinatown don’t always identify with that history. The Castro location has helped to make the GLBT History Museum a destination for tourists from around the world. At the same time, however, Castro residents have been grappling with the question of what it might mean that the neighborhood may be becoming less predominantly gay.

Finally, it is worth noting the role that both institutions have played in fostering activism. The CHSA’s traveling exhibit about the Chinese Exclusion Act, Remembering 1882, has prompted Chinese American activists in Washington, D.C. to advocate for an apology from Congress regarding the 1882 federal law. The public programming at the GLBT History Museum has provided a unique venue in the Castro to address issues such as housing rights, healthcare, aging, and labor organizing. Projects such as these at both institutions are in keeping with the fact that the very practice of documenting and interpreting Chinese American and GLBT history is itself an inherently political act.

For more information about each institution, visit the websites of the Chinese Historical Society of America and the Gay, Lesbian, Bisexual, Transgender Historical Society.

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Ghost Tours as a Way to Engage the Past

"Nob Hill Hotel at Night" 2008 photo by Marla Showfer

In honor of Halloween, I’d like to consider three ghost tours as examples of ways that San Francisco neighborhood history can be presented.

SF Chinatown Ghost Tours have been led since 1994 by Cynthia Yee, a community organizer and nationally-recognized dancer. Yee’s maternal great-grandfather, Fong Louie, immigrated from China in 1885. His Chinatown stories were passed d0wn to Yee’s mother, Mildred Fong, one of the pillars of the 光明佛道研究會 (Quong Ming Buddhist and Taoist Association) in Chinatown. Yee has told me that her idea for the tour came after going on tours in New Orleans. To develop her performance, she has drawn primarily on two sources: stories she learned from her mother; and coverage in local English-language newspapers (such as the San Francisco Chronicle) about Chinatown events such as the 1977 Golden Dragon Massacre. Yee tells me that she keeps track of  current news coverage rather than research older newspaper accounts or use archival repositories such as the Chinese Historical Society of America. At the same time, she has told me that Chinatown residents bring her news accounts, providing material to further develop her ghost tour presentation.

Similar to Cynthia Yee’s experience, Jim Fassbinder’s participation in a tour outside San Francisco prompted him to create the San Francisco Ghost Hunt, which he has led since 1998.  To develop his presentation, he did research at the San Francisco History Center, reviewed online content from the California Historical Society, enlisted college undergraduates to provide research assistance in academic libraries, and conducted oral history interviews. In his comments to me, he singled out the staff of the San Francisco History Center as being especially helpful in directing him to primary sources such as historic maps. Fassbinder chose Pacific Heights as the site of his tour partly for logistical reasons – the relative quiet, safety, and ease of walking – in addition to the stories he had learned about the neighborhood. Fassbinder has commented to me about his tour, “my main goal is this: I want everyone on a Ghost Hunt to have a real supernatural experience in a safe way.”

Playwright Kitty Burns has lead the Vampire Tour of San Francisco since 2001. Like Cynthia Yee, she was inspired to create the tour after participating in a tour in New Orleans.  To develop her presentation, Burns reviewed published histories – particularly Fire & Gold: the San Francisco Story by Charles Fracchia, founder and president emeritus of the San Francisco Museum and Historical Society. Burns also reviewed published articles and online content. She told me that her most valued resource, however, came in the form of oral history interviews she conducted with persons affiliated with commercial establishments and other institutions along her tour. Burns also indicated that the ongoing input she receives both from participants on her tours as well as persons affiliated with her tour stops continue to provide material for the further development of her presentation. Like Jim Fassbinder, Burns related to me that she selected the site of her tour – Nob Hill – partly out of logistical considerations such as safety. She added, “Nob Hill was a perfect area because all the stops on the tour are well known and very classy.  I thought that would add to the humor of a vampire tour.”

Part of what is striking to me about these three neighborhood-specific tours is that despite the differences in how the three guides conducted research for their presentations, all three of them turned to oral history interviews with neighborhood stakeholders as a significant source of content. What is also striking is that whereas many other contexts for engaging San Francisco history involve encounters with artifacts, or architectural features, or primary source materials such as historic documents and photographs, these tours intimate the possibility (with varying degrees of seriousness) of encounters with persons from the past  in the form of the ghosts or vampires of today.

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